Sunday, March 17, 2019

INSHALLAH

While Daniel Johnson couldn’t make it to the party this year, he happened to send an email with a poem on the very same day that we were inviting poems into the living room for P&S. The universe was clearly calling for his poetry to grace our event in some way, and so I’m reposting it here! This poem is from Daniel’s forthcoming book.


INSHALLAH

When it was over,
though it would never be over,

his mom sent a gift
to our house,

a chrome lamp and candles,
a tornado lantern

or hurricane lamp. It depends
what you call

that black wall of water,
skirling and rising,

that takes what it wants:
cars, refrigerators,

cows, wedding
photos, birth records—

inshallah—
your firstborn son.

When it was over,
though it would never be over,

as it would never be
before again, only after,

as the rains, the rains
would never be the same

rains or lashing waves—
I struck a match

against the flooding dusk,
then again,

and hung the lamp.

Atlantis

Being set on the idea
Of getting to Atlantis,
You have discovered of course
Only the Ship of Fools is
Making the voyage this year,
As gales of abnormal force
Are predicted, and that you
Must therefore be ready to
Behave absurdly enough
To pass for one of The Boys,
At least appearing to love
Hard liquor, horseplay and noise.

Should storms, as may well happen,
Drive you to anchor a week
In some old harbour-city
Of Ionia, then speak
With her witty sholars, men
Who have proved there cannot be
Such a place as Atlantis:
Learn their logic, but notice
How its subtlety betrays
Their enormous simple grief;
Thus they shall teach you the ways
To doubt that you may believe.

If, later, you run aground
Among the headlands of Thrace,
Where with torches all night long
A naked barbaric race
Leaps frenziedly to the sound
Of conch and dissonant gong:
On that stony savage shore
Strip off your clothes and dance, for
Unless you are capable
Of forgetting completely
About Atlantis, you will
Never finish your journey.

Again, should you come to gay
Carthage or Corinth, take part
In their endless gaiety;
And if in some bar a tart,
As she strokes your hair, should say
"This is Atlantis, dearie,"
Listen with attentiveness
To her life-story: unless
You become acquainted now
With each refuge that tries to
Counterfeit Atlantis, how
Will you recognise the true?

Assuming you beach at last
Near Atlantis, and begin
That terrible trek inland
Through squalid woods and frozen
Thundras where all are soon lost;
If, forsaken then, you stand,
Dismissal everywhere,
Stone and now, silence and air,
O remember the great dead
And honour the fate you are,
Travelling and tormented,
Dialectic and bizarre.

Stagger onward rejoicing;
And even then if, perhaps
Having actually got
To the last col, you collapse
With all Atlantis shining
Below you yet you cannot
Descend, you should still be proud
Even to have been allowed
Just to peep at Atlantis
In a poetic vision:
Give thanks and lie down in peace,
Having seen your salvation.

All the little household gods
Have started crying, but say
Good-bye now, and put to sea.
Farewell, my dear, farewell: may
Hermes, master of the roads,
And the four dwarf Kabiri,
Protect and serve you always;
And may the Ancient of Days
Provide for all you must do
His invisible guidance,
Lifting up, dear, upon you

The light of His countenance.

Ithaka

As you set out for Ithaka
hope your road is a long one,
full of adventure, full of discovery.
Laistrygonians, Cyclops,
angry Poseidon—don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians, Cyclops,
wild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope your road is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you enter harbors you’re seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind—
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and go on learning from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained on the way,
not expecting Ithaka to make you rich.

Ithaka gave you the marvelous journey.
Without her you wouldn't have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,

you’ll have understood by then what these Ithakas mean.

Storm, passing

All kinds of things are happening to me.
Skin’s becoming scaly, forehead a terrain of anthills,
and my feet are stiffening as though belonging to a corpse.
Hair’s falling out of course. And there’s my mind.
I try to read, but words swirl
in little whirlwinds on the page;
even when they’re behaving, I feel
I’m gazing at some complicated log of random numbers.
Enough of this I say aloud, take to the beach –
perhaps it’s distance my eyes are seeking.


But there I find fish tumbling from the sky,
myself face up in a clump of seaweed
foamy wavelets eddying about me.
Almost blinding,
the light is different from what I’m used to.
and I wonder if I’m dreaming,
back in the southern hemisphere,
if this sinking will have a rising too.
The next cat out the bag’s
a female, fifteen or so,
standing, mouth ajar,
saying nothing.
A mackerel on my belly, flapping.
I see her stare,
want to reach a hand, see if I can touch her
but suddenly she’s not there, and I come to,
still lying in damp sand like a heavy log.
There’s nothing for it but to roll over,
watch the water gouge
a groove where my body’s been.
Back home, I make a cup of tea.
The kettle boils. I lift  a green mug from a hook
pour, and squeeze a lemon in.
So far, so good. I wash pots and plates, utensils.
Stare out at laundry, ponder.
The light is dimming and a rush of heat comes over me.
A massive bank of thunderclouds controls the sky.
I put on my headphones, turn up the volume,
dance until my body feels fifteen.

Rain pounds against the window. I close the blinds.



Digging


Jerry kicked off the poetry with this one. You can also hear Seamus Heaney read it here.



Between my finger and my thumb   
The squat pen rests; snug as a gun.

Under my window, a clean rasping sound   
When the spade sinks into gravelly ground:   
My father, digging. I look down

Till his straining rump among the flowerbeds   
Bends low, comes up twenty years away   
Stooping in rhythm through potato drills   
Where he was digging.

The coarse boot nestled on the lug, the shaft   
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.

By God, the old man could handle a spade.   
Just like his old man.

My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.

The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.

I’ll dig with it.



House Carpenter

Well met, well met, my own true love
Well met, well met, cried she
I've just returned from the salt, salt sea
And it's all for the love of thee


I could have married a King's daughter there
She would have married me
But I have forsaken my King's daughter there
It's all for the love of thee


Well, if you could have married a King's daughter there
I'm sure you're the one to blame
For I am married to a house carpenter
And I'm sure he's a fine young man


Forsake, forsake your house carpenter
And come away with me
I'll take you where the green grass grows
On the shores of sunny Italy


So up she picked her babies three
And gave them kisses, one, two, three
Saying "take good care of your daddy while I'm gone
And keep him good company."


Well, they were sailin' about two weeks
I'm sure it was not three
When the younger of the girls, she came on deck
Sayin' she wants company


"Well, are you weepin' for your house and home?
Or are you weepin' for your babies three?"
"Well, I'm not weepin' for my house carpenter
I'm weepin' for my babies three."


Oh what are those hills yonder, my love
They look as white as snow
Those are the hill of heaven, my love
You and I'll never know


Oh what are those hills yonder, my love
They look as dark as night
Those are the hills of hell-fire my love
Where you and I will unite


Oh twice around went the gallant ship
I'm sure it was not three
When the ship all of a sudden, it sprung a leak

And it drifted to the bottom of the sea


-- Anonymous [Phil Nichols]

Wednesday, October 31, 2018